No matter where I live, I recognize the song of a red-winged blackbird. In rushes near the shore’s edge of a California beach, along the canals and waterways in the San Joaquin Valley, the tall grasses along a Louisiana bayou or deep in marshes along Washington’s coast, the voice of the songbird is the same. There’s a trilling like no other, punctuated by startled flight and appearance of dark black wings dotted with a circle of scarlet. Once you hear the voice of red-winged blackbird, you will know it anywhere.
When I first began this blog, I was introduced to a writer whose work became a song of a different kind, with words that sang and soared right off the page. My friend and I have swooned over this writer’s work for several years now. We compare notes about the ways in which she speaks to the depths of our souls, the longing we share for rich literature, the tapestry of language that weaves the glory of God’s kingdom into a piece.
I recall sitting in my living room last year reading one of Lanier Ivester’s essays, “Songless.” I had a printout in my hand and the piece featured the color print of a red-winged blackbird. When I finished, I sat for a few moments in silence; I was literally struck speechless with the way the words were woven together.
I can either do one of two things when I encounter writing that is lightyears beyond mine (don’t we all have a different measure of what “better than I can do” looks like?) I can either throw down my pencil or close my laptop and give up. Or, I can drink from the rich deposit in my soul, be inspired to go on in my own work, and keep looking for beauty, order, design, clarity, whatever facets of God’s creativity I’ve been given to show to the world.
I’m turning sixty five this week. It’s a daunting milestone and one that is bittersweet; I’ve officially lived ten years longer than my mother. Cancer took her at 55 when I was in the throes of raising two children who now have children of their own; I miss her a great deal. Turning 65 also prompts its own kind of contemplation—what is my contribution to the world? Have I achieved my dream(s)? What legacy am I leaving? Is it too late to make a difference?
I set out at the beginning of this year to write a book about the season of Christmas. When I discovered that Laura Ingalls Wilder published her first Little House book at the age of 65, I was greatly heartened. So, for my birthday, I’m giving the world a book. Sort of. Living the Season Well-Reclaiming Christmas won’t be released until the end of October some two months or so away, but it will still be in The Year I Turned Sixty-Five.
Besides birds and a book and a birthday I’ve also been contemplating the stunning beauty of blown glass.
My sister visited recently and we wandered through the Chihuly Glass Garden in Seattle. Chihuly’s work is housed inside in quiet, cavernous rooms and outside in wide open, bright spaces.
The glass sculptures that took my breath away were those inside, where uplighting pierced through each installation and shone through the dark in glittering rainbows.
We were spellbound. “How does someone even dream up these ideas? Where does this kind of creativity come from? I could never do that.”
No, I can’t. But I can visually absorb the power of each piece, the scale, the variety, the brilliance. I can let it soak in just a little bit then take it as fuel for inspiration. What kind of creativity can I bring to the world? What’s in my hand? What’s in my heart? What’s in my head?
In 1699 Jean Haudicquer de Blancourt wrote a book about glass blowing which uses ashes, not sand. (I have no idea how old he was.) “The art of glass: showing how to make all sorts of glass, crystal, & enamel” details in great length the way to transform beauty from the ashes of hearths and homes across de Blancourt’s native France. People looked beyond what they saw in their chimneys and someone figured out a way to melt it into glass. Glass which provided people with a way to see.
I began this post telling of a writer whose work is a tremendous inspiration to me, someone who finds beauty in ordinary things like gathering color from her garden or sharing a cup of tea. In a tragedy that defies all that makes sense, this beauty-bringer recently experienced the loss of her 100 year old farmhouse when it burnt nearly to the ground. She and her husband were left with ashes.
In the shock and trauma that have followed since then, the community of writers whom she calls friends have rallied around her–not by sending cash or showing up to help rebuild. No, many of us sent a gift for her soul—lovely china tea cups, plates and saucers for daily use. While time perhaps does not allow for the ‘taking of tea’ in this season, and indeed might seem a preposterous undertaking given the weight of the tragedy she’s endured, Lanier believes that beauty matters. The pattern on L’s new tea set? The Phoenix.
It is good for us to stop and enjoy the weight of God’s glory that shines in the sway of flowers in our garden, the glance of sunlight on the water or birdsong out our windows. We also can live as purveyors of goodness and beauty, shining our own gifts through the ‘glass’ God gives us.
Can you draw or paint? Write a song, play a tune or dance?
Have you a pen in your hands you can yield to God as you write through your pain?
Is speaking your gift?
Bring beauty from your ashes, write the words, fashion a glass and help us see.
Lanier’s post “Songless” is here.