The eyes of the world have been watching Arab refugees pour into Europe the last several months**. Fear has fueled many of the reactions of folks across the continents as there has been talk and concern about the people flooding Europe–they are Muslims and could therefore possibly be terrorists. A gross misrepresentation, but sadly true nonetheless.
Because of this fear, many countries have said to the refugees, ‘You are not welcome here,’ leaving not only Muslims but Arab Christians as well both abandoned and exiled, fearful of ever returning home, trapped in a life-changing limbo.
The country of Germany, however, has said, “Yes. Yes, you are welcome and we will help you.” And miracle of miracles, many of those same Muslim people are coming to Christ.
Story after story is coming out of a church work in Germany recounting just that; using no real names, only initials–“A” was baptized, “C” received Jesus, and so on–I have personally read of the move of God changing the lives of these desperate people.
The Most Remarkable Missionary You’ve Never Heard Of
The work of evangelizing the Muslim people may well have begun at the end of the 19thCentury when a brave, young lady left a world promising her fame and fortune and decided instead to follow God’s call to bring the Gospel to the Muslims in Algeria.
Lilias Trotter(1853-1928) was that daring young woman. She defied all the norms of Victorian England by winning the favor of England’s top art critic, John Ruskin. In an era when women were thought incapable of producing high art, Ruskin promised Trotter work could be immortal.”
Lilias’ biography, “A Passion for the Impossible” by Miriam Huffman Rockness, recounts the tale from Lilias’ British childhood of privilege, filled with art and leisure, to the sands of North Africa where she laid down her life for forty years.
“Trained faith is a triumphant gladness in having nothing but God–no rest, no foothold–nothing but Himself–a triumphant gladness in swinging out into the abyss, rejoicing in a very fresh emergency that is going to prove Him true–The Lord Alone–that is trained faith.” Lillias Trotter’s diary, 1894
The missionary story of Lilias Trotter was recommended to me by a fellow writer friend, who insisted I’d be carried away not only with the heart of the book’s message but by the beauty of the language as well. She was right. The text is rich and deep, full of Lilias’ observations not only of God’s faithfulness but her own deep abiding in the presence and power of God. The miraculous tales of God’s intervention and move among the Muslim people in Algeria are stirring as well as inspiring.
In 1888, without knowing a speck of Arabic and without the sponsorship of any organization, Lilias left her London home of comfort for a modest dwelling in Algeria. From the courts of their headquarters at Rue de Croissant in Blida near the North African Coast, Lilias’ love of literature and art became dynamic tools for evangelism. Many of her hand painted illustrations and sketches were part of the printed work that went into the Arab world of that day; her compassion and enthusiasm carried off the page.
“The pebble takes in the rays of light that fall on it, but the diamond flashes them out again: every little facet is means, not simply of drinking more in, but of giving more out.” (letter from Lilias to her friend Blanche Piggott, 1894).
Today, over a century after John Ruskin’s encounter with Lilias, many of her exhibition paintings, along with thirty-four other leaves from her sketchbook, are buried in the Print Room of the Ashmolean Museum in Oxford, England, a hidden testament to “potential recognized, promise unrealized,” as the Lilias Trotter website declares.
Although I dream of seeing these works in person some day in England, I can glimpse the story of Lilias’ life via the short film, “Many Beautiful Things.” The movie features the voices of Michelle Dockery (Lady Mary of Downton Abbey) and John Rhys-Davies (Lord of the Rings).
In Dockery’s words from the film’s trailer, “Even though I’m a Brit, I had never heard of Lilias Trotter. Now I think the whole world should hear of her and see this film.”
The legacy Lilias left is continuing to this day, the work of a pioneering woman who crossed the frontiers of Northern Africa in the 1900’s, paving the way for many Muslim people hear the Gospel of Christ for the first time. Trotter’s artistic vision and the work of words and paintings she left the world are inspiring treasures and a testimony to God’s love and creativity.
“Things still look dark and heavy all round–but “when the clouds be full of rain they empty themselves upon the earth”–it is better to wait as the parched ground waits here, for the torrents that will set life going. And I am beginning to see that it is out of a low place that one can best believe. It is water poured down into a low narrow channel that can rise into a fountain– faith that comes from the depths has a spring in it! (10 July 1896)
Perhaps those Muslims who heard about Jesus all those years have left their own legacy, crossing borders into Europe and around the world. Lilias planted the seed.
Edited to add, June 2026. Readers would do well to dip into more of the life of Lilias Trotter by reading Jennifer Trafton Peterson’s new book, If Only We Could See: Reimagining Creativity, Compassion, and Calling through the Extraordinary Life of Lilias Trotter **Spring 2016
“Not grudingly or of necessity.” From ‘Parables of the Cross,’ Lilias Trotter
