One thing the world needs is for more people to read poetry. Especially from female writers of a certain age who identify as people of faith. I hope you enjoy this small round up and hope you’ll take the time to read more of their work via the links provided. You will be richer for it.

–Abigail Carroll

That I Might Dwell

That I might dwell in warbler
song, in fields of sorrel, fields
of stars, that dwelling in your
house I’d know, I’d rest, I’d play
at wonder. Oh that I might dwell

in pine-branched shade, among
the sway, among the praise of oak-fern,                                                                                        granite, jay nest, spruce—
among the shadow-dance of leaves,
the breeze unpinning doubt, all

apathy, all hollow hours, all fears.
Oh may I dwell in reverence here,
and dwelling in your house, I’ll
wait, I’ll pray, I’ll lay this body
down on what you’ve dreamed,

on what you’ve sung, spliced, spun,
twined, embroidered, breathed.
And dwelling in your house I’ll
know the peace of moss, the moth-                                                                                                  winged hush of unhinged awe,

musk of sage, gaze of deer. Oh let
me lose myself in rooms of fox-                                                                                                      glove, cowslip, wild plum, wren—
that I might taste the sleep of loam,
that I might tenant beauty here.

from Habitation of Wonder (Wipf & Stock 2018)

Abigail Carroll is a poet and author whose most recent book, Habitation of Wonder (Wipf & Stock, 2018), is an offering of poems that travels the intersection of the natural landscape and the landscape of spirit. A Gathering of Larks: Letters to Saint Francis from a Modern-Day Pilgrim (Eerdmans, 2017), has been called “sparked with joy and stitched with whimsy” by the Chicago Tribune, and Three Squares: The Invention of the American Meal (Basic Books, 2013), was a finalist for the Zocalo Public Square Book Prize. Click here for Abigail’s website.

–Barbara Crooker

Ireland

A brown hare washes her face

in the lane while the hare in the moon

looks on.  The hare in the moon

carries an egg, new cycle of life

that comes in the spring.  But now,

it’s autumn, the sky closing in,

fir trees inking footprints

on the gray silk sky.  A luminous sky,

tattered with crows.  Two swans,

ruffled lilies, float in the lake’s bright bowl.

Some fairy’s touched all the trees overnight,

turned them orange, yellow, and red.  All of

the green fields are clotted with sheep.  What

is the world, but the body of God?

from The Book of Kells (Cascade Books, 2019)

Barbara Crooker and I first met at the Seattle AWP Conference in 2014. Being a poet ‘of a certain age,’ she has always inspired me. This is her 8th book of poetry and she continues to mine gold with her pen. As the back cover copy states on The Book of Kells, she “…captures the awe that the word inspired in preliterate times: “The world was the Book of God. The alphabet shimmered and buzzed with beauty.”” You can read more about Barbara and her work on her website.

–Jeanne Murray Walker

 

 

 

 

 

 

 

Staying Power

In appreciation of Maxim Gorky at the International convention of Atheists.  1929

Like Gorky, I sometimes follow my doubts

outside and question the metal sky,

longing to have the fight settled, thinking

I can’t go on like this, and finally I say

all right, it is improbable, all right, there

is no God.  And then as if I’m focusing

a magnifying glass on dry leaves, God blazes up.

It’s the attention, maybe, to what isn’t

there that makes the notion flare like

a forest fire until I have to spend the afternoon

spraying it with the hose to put it out.  Even

on an ordinary day when a friend calls,

tells me they’ve found melanoma,

complains that the hospital is cold, I whisper, God.

God, I say as my heart turns inside out.

Pick up any language by the scruff of its neck,

wipe its face, set it down on the lawn,

and I bet it will toddle right into the godfire

again, which–though they say it doesn’t

exist—can send you straight to the burn unit.

Oh, we have only so many words to think with.

Say God’s not fire, say anything, say God’s

a phone, maybe.  You know you didn’t order a phone,

but there it is.  It rings.  You don’t know who it could be.

You don’t want to talk, so you pull out

the plug.  It rings.  You smash it with a hammer

till it bleeds springs and coils and clobbered up

metal bits.  It rings again.  You pick it up

and a voice you love whispers hello.

Jeanne Murray Walker is a writer and teacher born in Parkers Prairie, a village of a thousand people in Minnesota.  She frequently lectures, gives readings, and teaches workshops in places ranging from The Library of Congress and Oxford University to Whidbey Island, WA, from a working fish camp in Alaska and  Texas canyon country to Orvieto, Italy. She taught at The University of Delaware for 40 years, where she headed the Creative Writing Concentration..  She also serves as a Mentor in the Seattle Pacific University Master of Fine Arts Program.  Click  here for Jeanne’s website.

–Laurie Klein

St. Kevin’s Blackbird

Outstretched in Lent, Kevin’s hand

did not expect

the blackbird’s egg, its speckled warmth,

new-laid, in his uplifted palm. Think prayer

as nest: an intimate travail whereby

fledgling hopes, like birds, leave behind

a kind of grave. Amen, seeming

premature, the saint-in-waiting

dovetailed faith with knuckles.

And afterward, did he save those eggshell bits,

adorn his windowsill with each goodbye

the smallest beak ever made?

He never said. Nor will he

know these hearts of ours,

more shell than shelter,

as they fissure, let in light enough

for Christ to enter. Yes,

let grief be, with every breath, a readied womb.

from “Where the Sky Opens” (Wipf & Stock, 2015)

Laurie Klein is the author of Where the Sky Opens and the prize-winning chapbook Bodies of Water, Bodies of Flesh. She also wrote the classic praise chorus “I Love You, Lord” forty-three years ago, “weary and bone-lonely…while our first child slept.” Laurie’s poems and prose have appeared in many publications, including Ascent, The Southern Review, Ruminate, Atlanta Review, Terrain, and the Holman Personal Worship Bible. She is a recipient of the Thomas Merton Prize for Poetry of the Sacred. She lives with her husband near their daughters and a growing group of grandchildren in Eastern Washington. You can connect with her on Facebook and at www.lauriekleinscribe.com.

–Marjorie Maddox 

Eucharist

Host

the small circle of face

we see by

in light of wine

the sliver of why

that bends the bones

begs “Come!”

the orbed cross

bright in the palm

of the poor

the crucified moon

nailed high

on the night of tongue

Chalice

To sip is to sing the Amen

into veins, sweeten

the soured tongue.

But first: lips

pursed with it,

hollowed mouth brimming

with want.

This is the swallowing

of what spewed out: spears

stuck long in the side,

thorns thick in the skin.

No trickle.

A Hallelujah

torrent down the throat.

Marjorie Maddox is Professor of English and Creative Writing at Lock Haven University in Pennsylvania. She has published eleven collections of poetry, most recently the  re-released Transplant, Transport, Transubstantiation, about her father’s heart transplant. Some of her other titles include What She Was Saying (stories) from Fomite Press, Wives’ Tales (poems) from Seven Kitchens Press, and True, False, None of the Above from Cascade Books’ Poeima Poetry Series, as well as Local News from Someplace Else (about living in an unsafe world). Marjorie lives with her husband and two children in Williamsport, Pa., birthplace of Little League and home of the Little League World Series. She is the great grandniece of baseball legend Branch Rickey, the general manager of the Brooklyn Dodgers who helped break the color barrier by signing Jackie Robinson. Click here for Marjorie’s website.