Susan Cowger confesses she was the ‘black sheep’ in the family, not quite fitting into the mold of family vocations–nurses, pharmacists, sensible people. Instead, her first language was art, a calling that led to a BA in Fine Art (1977) from Montana State University and subsequent MFA in Poetry with a secondary emphasis in Art from Eastern Washington University in 1997.

Susan is a sculptor, visual artist (oils and watercolor) and a writer. What made her take the leap from two dimensional and three-dimensional work to words?

“Art is often abstract. I wanted to help people enter into the art, so I started writing little poems. It seemed to help,” she said.

Susan later founded Rock and Sling Press and Journal in 2004, a well-received publication in the world of faith writing. Editor and fellow poet Laurie Klein joined the masthead for many years and partnered with Susan in its mission. Rock and Sling’s operations were passed to Whitworth University in Spokane WA in 2010.

Susan has continued her creative expressions in the paths of writing, sculpting and painting and recently published Slender Warble, a collection of poems from Wipf & Stock’s Poeima Series.

The book’s back cover blurb explains the title.

“Within the bewildering paradox of suffering and beauty, we often miss the Invisible One. Never quite what you’d imagine, the nudge of his Presence can be mind-bending. More often, the Almighty gives no more than a slender warble. This collection is about finding the presence of God in spite of and because of the trappings that make us most human.”

The trajectory of the work covers four parts of Cowger’s own faith journey, beautifully summed up in the opening poem here. The arc of her writing includes sections in the book: In the Tunnel has poems that show how one begins to listen for God. Sections Between Two Hands, Is That You? and A Voice Clears, record the way one comes to faith, not in an instant but in a lifetime of awakenings.

Each section of the book begins with a “Weather Report” as she calls it, including the date and time of day, whether it’s early morning or dusk. They also set the tone for each section and frame the poems.

The theme of water weaves through the poems, looming as a powerful, pummeling force in a piece about nearly drowning.  Drink and thirst, floating and sinking, as well as the ocean feature frequently; water appears also as “silent drops of dew.”

Cowger’s signature style is punctuation-less, a remarkable feat for an editor and writer. When I asked her about the odd line breaks and spaces instead of periods or commas, she remarked, “It was intentional. I hope to redeem the current ways of communicating. We speak too fast, write in abbreviations, listen only half-heartedly.”

“My poems force the reader to slow down, read with care, pause at the end of each line and breathe. One must pay attention.”

“Light in the Woods” Susan Cowger

Cowger continues to pay attention in her studio in Eastern Washington and shares her art work and poetry online via her beautiful, new website. The tagline? “Art and Poetry are mirrors to see what you love.”

I hope you’ll take a moment to visit, view her work and more importantly, open the door to the possibility of poetry and listen for God’s “slender warble” in your life.

You can find Susan’s book HERE.

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To read more of my poetry book reviews and interviews, click HERE